Born: September 17, 1915
Achievement: World famous painter; Recipient of Padma Shree
MF Hussain was born on September 17, 1915 in Pandharpur, Maharashtra. He lost his mother when he was one and a half years old. Husain's father remarried and moved to Indoor. MF Hussain did his schooling from Indore. In 1935, MF Hussain moved to Bombay and joined Sir J. J. School of Art.
MF Hussain also had his share of controversies. Many a times he has been charged with hurting sentiments of people because of his nude portraits of Hindu gods and goddesses. But he continues to enthrall people with his peerless artistry.
Thank You.
One can love MF Hussain or one can hate MF Hussain but one cannot ignore him. MF Husain is always in the news because of one controversy or the other. Maqbool Fida Hussain (MF Hussain ) is a world famous painter and an icon among Indian artists.
He started off by painting cinema hoardings. He first came into limelight as painter in the late 1940s. In 1952, MF Hussain's first solo exhibition was held at Zurich and soon he became popular in Europe and USA. He went on to become one of the highest paid painters in India. His paintings have fetched millions of dollars at the auction.
In 1966, MF Hussain was honored with Padma Shree by the Government of India. In 1967, MF Hussain made his first film "Through the Eyes of a Painter". The film was shown at the Berlin Film Festival and won a Golden Bear. He has also made two Hindi movies, "Gaja Gamini" and "Meenaxi: A Tale of Three Cities."
CONTROVERSIES:
In the 1990s some of Husain's works became controversial because of their portrayal of Hindu deities in the nude or in an allegedly sexual manner. The paintings in question were created in 1970, but did not become an issue until 1996, when they were printed in Vichar Mimansa, a Hindi monthly magazine, which published them in an article headlined "M.F. Husain: A Painter or Butcher". In response, eight criminal complaints were filed against Husain. In 2004, Delhi High Court dismissed these complaints of "promoting enmity between different groups ... by painting Hindu goddesses — Durga and Sarswati — in an uncharitable manner hurting the sentiments of Hindus".
The controversy escalated to the extent that in 1998 Husain's house was attacked by Hindu groups like Bajrang Dal and art works were vandalised. The leadership of Shiv Sena endorsed the attack. Twenty six Bajrang Dal activists were arrested by the police. Protests against Husain also led to the closure of an exhibition in London, England.
In February 2006, Husain was charged with hurting sentiments of people because of his nude portraits of Hindu gods and goddesses.
Now living in Dubai and London, he continues to stay away from India, but has expressed a strong desire to return, despite fears that he may be arrested in connection with these cases. A recent Supreme Court order has suspended an arrest warrant for Husain. The law ministry has examined half-a-dozen works by Husain and told the government that prosecutors would have a strong case against him if they sued him for deliberately hurting religious feelings.
Mother India:
Organizations like Hindu Jagruti Samiti and Vishwa Hindu Parishad (VHP) have protested persistently against Husain displaying the painting on the websites and even in exhibitions in north Europe. As a result, on February 7, 2006 Husain apologised and promised to withdraw the painting from an auction
It is hypocritical to place curbs on Husain's artistic freedom. What's more shameful is that a government that claims to be the secular alternative to Hindu nationalists is threatening to prosecute Husain. This does not do India proud; it adds to India's disgrace.
Other artists have expressed criticism. Fellow artist Satish Gujral has gone on record to ask him whether he will be bold enough to treat icons of Islam in the same manner. According to a senior artist and former President, Bombay Art Society, Gopal Adivrekar says: “Nothing is bad in being creative but the artists should not go for such artwork, which may hurt the sentiments of a segment of the society.
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